UCLA Center for the Study of Women

This research paper foregrounds a bricolage methodology based on autoethnographicwriting and analog collage technique to interweave Arab queerness in migratory contexts. By proceeding as such, the paper seeks to open a space for new modalities of crafting of knowledge; notably by bridging creative visual methodologies with critical theories. It also sketches problemspaces(Grossberg, 2010) of Arab queerness by discussing the different nodal points that shape it.