Multicultural Iberia: Language, Literature, and Music Edited by Dru Dougherty and Milton M. Azevedo 1999, ISBN: 0-87725-003-0 SUGGESTED CITATION: Dru Dougherty and Milton M. Azevedo, ed. Multicultural Iberia: Language, Literature, and Music. University of California International and Area Studies Digital Collection, Research Series #103, 1999. http://repositories.cdlib.org/uciaspubs/research/103 This work has been peer reviewed.

Since medieval times, Catalonia has been a source of cultural expression that has ranged far beyond its present-day geographic borders. The uncommon diversity of its languages, literature in both Catalan and Spanish, and popular culture is studied in this volume by scholars from the United States and Spain who met in Berkeley in 1997 to celebrate the tenth anniversary of the Gaspar de Portola Catalonia Studies Program. The dialogue between Catalonia and the other regions of the Iberian Peninsula is both analyzed and continued in this collection of essays by outstanding specialists in linguistics, literature, musicology, digitized media, and cultural studies.

Contents

Front Matter, including Acknowledgments, Dru Dougherty and Milton M. Azevedo (p. i-vii)

Introduction, Dru Dougherty and Milton M. Azevedo (p. 1-8)

The Digital Scriptorium: A New Way to Study Medieval Iberian Manuscripts, Charles B. Faulhaber (p. 9-21)

Masculine Beauty vs. Feminine Beauty in Medieval Iberia, Francisco A. Marcos-Marín (p. 22-39)

An Inane Hypothesis: Torroella, Flores, Lucena, and Celestina?, Antonio Cortijo Ocaña (p. 40-56)

The Spill De La Vida Religiosa (Barcelona 1515) and Its Luso-Hispanic Transmission, August Bover i Font (p. 57-67)

Recovering Their Voices: Early Peninsular Women Writers, Kathleen McNerney (p. 68-80)

A Voice of Her Own: Jerónima De Gales, a Sixteenth-Century Woman Printer, María del Mar Fernández-Vega (p. 81-92)

Mothers, Daughters, and the Mother Tongue: Martín Gaite’s El Cuarto De Atrás and Roig’s El Temps de les Cireres, Emilie L. Bergmann (p. 93-108)

Mental Houses in Catalan and Castilian Women Writers of the 1990s, Adela Robles Sáez (p. 109-122)

Villena and Mesquida: Materializing the Platonic Body, Juan M. Godoy (p. 123-133)

Theater and Life in Eduardo Mendoza’s Una Comedia Ligera, Marta E. Altisent (p. 134-153)

The Evolution of Word-Internal Clusters in Ibero-Romance: Some Evidence from Catalan, Donna M. Rogers (p. 154-164)

Quilombo ‘Bordello’: A Luso-Africanism in the Spanish and Catalan of Modernist Barcelona, Philip D. Rasico (p. 165-174)

Aspects of the Spread and Boundaries of Catalan Lexicon in Andalusia, Juan A. Sempere-Martínez (p. 175-197)

Language, Fiction, and Culture in Catalonia and Spain at the End of the Century, Sebastià Serrano (p. 198-211)

Manuel de Falla and the Barcelona Press: Universalismo, Modernismo, and the Path to Neoclassicism, Carol A. Hess (p. 212-229)

Community Ensemble Music as a Means of Cultural Expression in the Catalan-Speaking Autonomies of Spain, Richard Scott Cohen (p. 230-251)

Notes on Contributors, Dru Dougherty and Milton M. Azevedo (p. 253-258)