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Research Series
Ivo Andric won the 1961 Nobel Prize for Literature for an extraordinary body of fiction and poetry rooted in the politics and cultural history of the Balkans. Andric drew on his formal studies, political activism, diplomatic career, and extended residence in Bosnia, Croatia, and Serbia to explore the human links that have united the region, to argue that conflict is not inevitable, and to lay the basis for a unified Yugoslavia. Today, Andric is claimed by all Yugoslavs as their greatest literary figure, but tragically missing the point of his work, often criticized by each group for not championing its own particular cause. This volume explores many facets of Andric: the artist immersed in both the written and oral South Slavic literary traditions developing his own unique narrative style; the humanist examining the relationships of victimization, grief, shame, and art; the anthropologist analyzing the role of women and the dynamics of gender relations; and the historian peeling through the layers of local traditions and historical experience.
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Preface, Acknowledgments, Notes on Contributors,
Wayne S. Vucinich
(p. i-xiv)
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Introduction: Ivo Andric and His Times,
Wayne S. Vucinich
(p. 1-46)
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Ivo Andric's Short Stories in the Context of the South Slavic Prose Tradition,
Thomas Eekman
(p. 47-62)
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Ex Ponto and Unrest: Victimization and “Eternal Art”,
Gordana P. Crnkovic
(p. 63-80)
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Imagining Yugoslavia: The Historical Archeology of Ivo Andric,
Andrew Wachtel
(p. 82-102)
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Ivo Andric and the Sarcophagus of History,
Dragan Kujundzic
(p. 103-122)
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East Within the West: Bosnian Cultural Identity in the Works of Ivo Andric,
Tomislav Z. Longinovic
(p. 123-138)
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Grief, Shame, and the Small Man in the Works of Ivo Andric,
Slobodanka Vladiv-Glover
(p. 139-153)
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Women in Andric's Writing,
Radmila Gorup
(p. 154-172)
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Folk Tradition in the Storytelling of Ivo Andric,
Tatyana Popovic
(p. 173-186)
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Andric on Bosnia: The 1924 Dissertation,
John F. Loud
(p. 187-199)
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Narrative Voice and Listener’s Choice in the Prose of Ivo Andric,
Ronelle Alexander
(p. 200-230)
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