|
Biopsychological Aspects of Chumash Rock Art
Thomas Blackburn, California State Polytechnic University, Pomona
ABSTRACT:
The particular case of Chumash rock art is
suggestive if inconclusive. Grant (1965) has
described the pictographs and petroglyphs of
the Santa Barbara hinterland in some detail,
and has isolated most of the design elements
utilized by the native artists. These design
elements (many of which are shown in Fig. 3)
seem to me to be often strikingly similar to the
experimentally induced phosphenes in Fig. 1,
although I am not enough of an artist to make
the kind of rigorous stylistic comparison of the
two motif sets that would be desirable. However,
the similarities appear to be extensive and
systematic, and I feel that they provide additional
support to the suggestion that many of
the paintings were inspired by hallucinatory
phenomena associated with the ingestion of
Datura inoxia. Future research on Chumash
rock art might explore this hypothesis further,
and utilize as well our newly acquired information
concerning the nature of Chumash
myth and ritual (Blackburn 1976; Hudson et
al. 1977). It seems likely to me that what we are
seeing in much of Chumash rock art are
individual expressions of mythological themes
or characters as "seen" or experienced by the
artists as a direct or indirect consequence of
ingesting a known hallucinogenic substance.
The universal visual phenomena, phosphenes,
provide basic stimuli which are filtered
through the screen of cultural interpretation
and myth to provide powerful religious symbols;
to fully interpret these, we must learn
more in the future about both the biopsychological
aspects of the art and the intervening
cultural screen, and about the process of
interaction between the two. Here studies of
contemporary situations involving the ritual
use of psychoactive substances (such as
Reichel-Dolmatoffs pioneering work among
the Tukano) should be of considerable help.
Perhaps in the not-too-distant future we will be
able to approach prehistoric art in a new way,
and not just look, but see.
KEYWORDS: ethnology, archaeology, ethnohistory, native peoples
SUGGESTED CITATION: Thomas Blackburn
(1977)
"Biopsychological Aspects of Chumash Rock Art",
The Journal of California Anthropology:
Vol. 4:
No. 1,
Article 12.
http://repositories.cdlib.org/ucmercedlibrary/jca/vol4/iss1/art12
|